El Cinema in the Cavern of Contemporary Masses
The Shopping Mall
Abstract
The shopping mall has become one of the most important places for the social-economic and cultural development of the masses in contemporary cities. This paper explores the position of movies in the shopping center. Based on several assumptions by film critics, such as Stephen Barber and Paolo Bertetto, this paper explores the industrial nature of cinema, its existence as a commodity, and its device dimension, together with technological advances, such as digital imaging. Through this analysis, this text establishes the relationship between films, as an industrial art, and the ideological and economic hegemony of late capitalism.
References
Belton, J. (2002). Digital cinema: A false revolution. October, (100), 99-114. doi:10.1162/016228702320218411
Bertetto, P. (1997). Cine, fábrica y vanguardia. Barcelona: Gustavo Gili.
Cacique, el Centro Comercial. (2017). El centro comercial. Recuperado de http://www.caciquecc.com/secciones.php?seccion=Mg==&subseccion=MQ==
Cárdenas, J. D. (2013). Dispositivo cinematográfico, historia e ideología. Cuadernos de Música, Artes Visuales y Artes Escénicas, 8(2), 49-63.
García, J. V. (2012). La reinvención de la exhibición cinematográfica: centros comerciales y nuevas audiencias. Zer, 17(32), 107-119.
Hansen, M. (1994). Babel and Babylon: Spectatorship in american silent film. Cambridge: Harvard University Press.
Horkheimer, M., & Adorno, T. W. (1994). Dialéctica de la ilustración: fragmentos filosóficos. Valladolid: Trotta.
Oubiña, D. (2009). Una juguetería filosófica: cine, cronofotografía y arte digital. Buenos Aires: Manantial.
Saramago, J. (2000). La caverna. Bogotá: Punto de Lectura.
Titán Plaza Centro Comercial. (2017). Nosotros. Recuperado de http://www.titanplaza.com/web/es/content/nosotros/
Copyright (c) 2018 Alejandro Medina
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.